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0095115532256

Y!での商品説明(Joshin web CDDVD Yahoo!店)

◆品　番：ABRD-5322◆発売日：2023年09月01日発売◆出荷目安：約2週間（品切時1〜2ヵ月)◆◆国内入荷予定が遅れる場合もございます◆◆※海外メーカー都合により、商品内容が急遽変更となる場合がございます。◆※発売日は現地の発売日です。※日本語ブックレット等は付属しておりません。◆※輸入盤のため、ケースやジャケットに若干の傷や汚れがある場合がございます。予めご了承下さい。◆ロジャーズアンドハマースタインミュージカルオクラホマ

楽天での商品説明(WORLD DISC PLACE)

◆タイトル: Oklahoma (Complete Original Score)◆アーティスト: Rodgers / Hackmann / Boggess◆現地発売日: 2023/09/15◆レーベル: ChandosRodgers / Hackmann / Boggess - Oklahoma (Complete Original Score) LP レコード 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]Rodgers and Hammerstein's Oklahoma! Was first performed in 1943; and was a significant turning point in the history of musical theatre. It was the first musical to put drama and plot to the fore; portrayed by rounded; believable characters. It swept aside traditions that had their roots in vaudeville - star turns; comic sketches; and endless lines of high-kicking chorus girls. Oklahoma! #does feature dance; but in the hands of the choreographer; Agnes de Mille; this was idiomatic to the plot; and revolutionary in terms of the fifteen-minute dream-sequence ballet at the close of Act I. The first collaboration between composer and writer; the show was a hit; running for more than five years on Broadway; and paving the way for their masterpieces to come. John Wilson's long-held fascination for researching original musical theatre scores of this period and bringing them anew to modern audiences reaches a milestone with this world premi?re recording of the original score in it's entirety (no cuts) and in the original orchestrations for twenty-nine-piece orchestra made by Robert Russell Bennett for the original production. His outstanding cast features Nathaniel Hackmann; Sierra Boggess; Jamie Parker; Louise Dearman; Sandra Marvin; Rodney Earl Clarke; Nadim Naaman; and Leo Roberts; ably supported by the 'Oklahoma!' Ensemble - twenty-two artists drawn from London's West End. Wilson comments: 'I love the connective tissue of the piece; the scene-change music; the ballet; the songs that sometimes get cut; the underscoring. And when so many vastly different new versions are appearing on stage; it's more important than ever that we have a document of the actual source material.'