最安値はここだ! -価格比較-

※商品名はタワーレコード Yahoo!店のものです

イタリコ・スプレンドーレ G.B.ヴィターリ: パルティータ集&ヴァイオリン・ソナタ Op.13 (1689) CD

商品について

JANコード
8007194107180
発売年月日
2020年07月04日
Y!での商品説明(タワーレコード Yahoo!店)
ご注文後のキャンセル・返品は承れません。
発売日:2020年07月04日/商品ID:5028810/ジャンル:CLASSICAL/フォーマット:CD/構成数:1/レーベル:Tactus/アーティスト:イタリコ・スプレンドーレ/アーティストカナ:イタリコ スプレンドーレ/タイトル:G.B.ヴィターリ: パルティータ集&ヴァイオリン・ソナタ Op.13 (1689)/タイトルカナ:ヴィターリ パルティータシュウ アンド ヴァイオリン ソナタ オーピー13 1689
楽天での商品説明(WORLD DISC PLACE)
◆タイトル: Partite / Sonate◆アーティスト: Vitali / Italico Slendore◆現地発売日: 2020/04/03◆レーベル: Tactus RecordsVitali / Italico Slendore - Partite / Sonate CD アルバム 【輸入盤】※商品画像はイメージです。デザインの変更等により、実物とは差異がある場合があります。 ※注文後30分間は注文履歴からキャンセルが可能です。当店で注文を確認した後は原則キャンセル不可となります。予めご了承ください。[楽曲リスト]The city of Modena, under the rule of the Este family, was the capital of the Dukedom of Modena e Reggio. Thanks to Duke Francesco ii's fondness for the violin, music became an essential element in the most important events at the Este court, such as receptions, weddings and official visits of foreign sovereigns. These were the occasions in which the Duke displayed all his magnificence. Modena stands out for the abundance of it's collection of musical documents in the Biblioteca Estense: the library is a real mine, largely unexplored so far. This consideration gave rise to the idea of making this beautiful, extraordinarily modern music available to those who are pursuing culture and art. So our goal is to promote a rediscovery of the enormous heritage preserved in the Biblioteca Estense, by carrying out a meticulous study of the sources of the works of the composers who were active at the Este Court in Modena, transcribing them into modern notation and critical editions, and producing monographic recordings of them. The first step consisted in the study and recording of the instrumental works of Giovanni BattistaVitali. In this third of 6 albums dedicated to his music preserved at the Estense Library of Modena, the baroque group Italico Splendore performs the Partitas and the Sonatas op. 13. The Partitas are formed of ten pieces for violone and eight for violin, in the form of variations introduced by a toccata. It is worthwhile to mention the fact that the sixty pieces of the Artificii, which are based on several counterpoint techniques and arranged in an order of growing complexity, from two to twelve parts, are an extraordinary example of a study of counterpoint that comes before J. S. Bach's colossal work.